Pythian Games

From the Formless Void

Posted in Raven Mythos by Heather Blakey on April 4th, 2008

Sibyl Raven

From the formless void
Motes, particles, miniscule molecules of matter
Slowly began to stir
Drawn by an invisible procreative,
Primordial force
They gravitated
Clinging together tenaciously
Swelling into a giant cluster
A sensual shape with
Dark raven wings

Inflaming, arousing desire, Raven
Spread her wings
Dancing, gyrating provocatively
Upon Wind’s fingertips
Wind and raven’s coming together
Borne of frenzied passion
Was a union, an act of love?
From which was birthed
An exquisite silver, moon egg
Swollen with life.

Curled within the silver womb
Amid deep silence
Lay the Goddess of Love,
Goddess of erotic love, fertility
Wrapped in the very wings
Upon which would ride, ravenous
Procreative inspiration
The all powerful
Creative energy
That fuels the universe

Heather Blakey

Electric Force

Posted in Live Poets Stadium, Raven Mythos by Heather Blakey on April 3rd, 2008
Thunder is good, thunder is impressive; but it is lightning that does the work.
–Mark Twain

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Lightning, whose electricity,
Held the universe together,
Scowled malevolently
Through sword shaped eyes
That pierced the void as
Ravenous Raven, lady of birds and beasts
Erotically danced with promiscuous Wind

Emboldened
Charged by atoms, electrons, protons
Lightning hurled a bolt along a wire of air molecules
That collided upon earth’s stage
At the very spot in Dodona where
a single oak tree stood
Igniting fire.

Raven who lived on peaks of mountainsides,
Who lived in caves
Who rested on the boughs of this very tree
Looked up in wonder
Captivated, mesmerized by
Capricious Lightning’s audaciously bright, flashy show

The gift of fire, of electricity
Bought by Lightning to this most sacred place
His fired passion for Raven
Lives on in the bowels of
the mountains, the caves, the trees
Is told by birds and beasts
Lightning man’s imagination

To this day the Dododan Oak Tree has the property of attracting lightning and the places where lightning struck was regarded, continues to be regarded, as sacred.

In ancient Rome, members of the College of Augurs divined the will of the gods by observing the southern sky for lightning, birds, and shooting stars. A lightning bolt passing from left to right was a favorable omen; a lightning bolt passing from right to left was a sign that Jove did not approve of current political events. Furthermore, whenever the augurs reported any sign of lightning, the magistrates of Rome were required to cancel all public assemblies on the following day. The augurs’ reports became politically useful to postpone unwanted meetings, delay the passage of laws, or prevent the election of certain magistrates by popular assemblies..

Opening Lockfast Places

Posted in Identity Poems, Self Portraiture by Heather Blakey on March 22nd, 2008

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Rodney (1)

First voyage
Male convicts on board
Departure Port: Portland (Dorset) Departure Date: 23 Aug 1850
Arrival Port: Hobart Arrival Date: 28 Nov 1850

Convicts landed: 308

Died on board:
GILL John
MURPHY George
SPEAKMAN Thomas

Sources:
Archives Office of Tasmania, Guide to Convict Records by Ship Reference.
Bateson, Charles, The Convict Ships 1787-1868, Brown, Son & Ferguson Ltd 1985.
Broxam, Graeme, Shipping Arrivals and Departures, Tasmania, 1843-1850, Roebuck, 1998, p227.
Phillips, Margaret E., Australian Joint Copying Project, Handbook Part 7, Public Records Office Admiralty Records, National Library of Australia 1993, pp 75-77.
Archives Office of Tasmania, Convict Department, Registers of Convict’s Deaths, 10 Jun 1840-31 Mar 1846, 25 Nov 1845-5 Jul 1874, (Ref: CON 63).

Convicts on board listed by Researchers

ALLEN Charles
BARKER Samuel
BERRYMAN Charles
BROWN William
CAMERON John
EXALL Joseph
GOLD Hugh
GOODWIN Joseph aka STEWART
RANDALL William
RITCHIE David
ROBSON John Boyd
SPACKMAN James
STEWART Joseph aka GOODWIN
WADE William
WARE Charles
WINWOOD Levi

Non-convicts on board listed by Researchers

MATTHEWS Joseph & Sarah - Military Pensioner
TYNAN Andrew - Military Pensioner
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I sit looking at the jigsaw pieces
Studying them
Seeing how they will fit together
To form an impression
make whole
the broken mold
From which I sprang
I am the one
Who carries on the tradition of
Opening Lockfast Places
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